Whether you’re working with for the first time or the hundredth, your relationship with the will have a major effect on the final product.
While every has a different style, there are a few things a can do to make the ‘s life easier.
Let’s take a look at some of the most effective tips for collaborating with a and turning your copy into an work of art!
Typos and other issues can slow down a session and interrupt your rhythm.Â
If you leave ambiguities in place until the starts, you may end up wasting the time of everyone involved.
How you format a script will affect how it’s perceived by your voiceover talent.
New changes may need to be approved by a variety of stakeholders, leading to a time-consuming back and forth and a rescheduled session.
The you’re working with should have all the information they need as soon as you get started.
Along with basic editing and proofreading, it’s also important to clarify anything that could be ambiguous.
Use your smartphone to record an pronunciation guide for unusual names, places, abbreviations, proprietary terms, and other words that they may not know how to pronounce.
Exact timing isn’t necessary for every type of work is often tied to time constraints like ad slots and accompanying visual content. , but
Use a time-coded can pace themselves accordingly. so the
If the is for a timed spot, read it yourself before the session to make sure it doesn’t go over the allotted time when read at a pace you’re interested in.
If you need the to deliver their lines in a specific length of time, make sure to prep a time-coded for their reference.
Time coding involves matching up each section of the to a specific time-letting actors know the exact pace they should be speaking at.
Don’t forget to read the out loud in advance to confirm that your time coding aligns with any relevant time constraints along with the speaking rate you have in mind.
The average English speaker speaks at roughly 150 words per minute, so a 30-second ad slot is enough time for around 75 spoken words.
Of course, the actual speech rate will vary depending on the style of content and the you work with.
Your may not be enough to communicate your expectations on its own.
Make sure to give the any relevant background information to help them adjust their delivery to match what you’re looking for.
If they’re a , for example, they’ll need some details about the ‘s history, motivations, and relationships to the rest of the characters. lines for
You can also provide information about the target audience to help them understand what you’re aiming for in the final product.
Some directors supplement that basic information with storyboards, video drafts, or examples of similar overs for the to keep in mind while their lines.
Another thing you could do is let the know what part of their sample you liked and that you feel could work well on your project.
The clearer the overall picture you draw for the during the session, the easier it will become for them to fine-tune their style based on your goal for the project.
Vocal the anxious to do a good job, and both sides often working on a tight schedule. sessions can become tense with the client looking for the perfect take,
Creating a calm, positive atmosphere will lead to a better and make the want to work with you again in the future.
When you need the to adjust their approach, make sure to let them know what you’re looking for and offer positive feedback along with any constructive criticism.
Don’t forget to give them enough space to ask their own questions about your ideas for the .
Understanding the client’s expectations is one of the most difficult elements of work.
Even if you have a clear idea in your head, the may not be sure exactly how you want them to approach the .
In some cases, reading the out loud is the best way to show voice artists exactly what you have in mind.
Setting more specific expectations makes things easier than both sides and will help you make more efficient use of your scheduled time.
You may be coming in with certain expectations, but actors offer unique experience and insights.
Make sure to schedule enough time to record several takes of each section of the and experiment with any inspiration that comes to you or the during your .
Along with stylistic changes, you can also make edits to the if you come up with anything that may be more effective than the original idea.
You can always mix and match these takes at the end, so don’t worry about getting everything right on the first try.
Don’t forget to ask agents, engineers, and anyone else who’s on the call to see if they can offer any other suggestions.
These professionals are regularly involved in work and may be able to provide a unique perspective on the or delivery.
Directing voiceover talent can be challenging, but you can make the job easier by preparing in advance and setting clear expectations.
From there, maintaining a positive atmosphere while offering specific feedback and staying open to new ideas will go a long way toward making your next project a resounding success.
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